May 24, Friday
Children are 12 and under, Seniors are 60 and older
Students and Military must show a valid ID to receive discount
We accept cash, check, NCard, Visa, and Mastercard
Box Office Opens 30 Minutes Before Showtimes
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.
313 N. 13 STREET
The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org
for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
WOMEN MAKE MOVIES @ 40 / FESTIVAL SCHEDULE
March 1-14, 2013
WMM is celebrating their 40th Anniversary! The Women Make Movies film festival, which is an exciting part of UNL Women's Week 2013, will feature classic works from the WMM catalog, exciting new releases, and a spotlight on the work of director Kim Longinotto.
WOMEN MAKE MOVIES screenings are at regular Ross Prices. A pass will be available, good for admission to all screenings in the WMM festival. $25 General Admission / $20 Seniors, Students, and Members.
CLICK HERE to download a festival schedule PDF.
THE FILMS OF KIM LONGINOTTO
Directed by Kim Longinotto | UK/India | 2013 | 91 minutes | Tamil with English Subtitles
Friday, March 1 - 5:00 p.m. / Sunday, March 3 - 9:25 p.m.
Friday, March 8 - 9:45 p.m. / Tuesday, March 12 - 7:35 p.m.
When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma's salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village.
As with her other work (Pink Saris, Rough Aunties), master documentarian Kim Longinotto trains her camera on an iconoclastic woman. Salma's extraordinary story is one of courage and resilience, and Longinotto follows her on an eye-opening trip back to her village. Salma has hopes for a different life for the next generation of girls, but as she witnesses, familial ties run deep, and change happens very slowly.
SISTERS IN LAW
Directed by Kim Longinotto | Camaroon/UK | 2005 | 104 minutes | Pidgin English with English Subtitles
Friday, March 1 - 7:00 p.m. / Monday, March 4 - 5:00 p.m.
Saturday, March 9 - 1:00 p.m. / Wednesday, March 13 - 5:00 p.m.
Winner of the Prix Art et Essai at the Cannes Film Festival. In the little town of Kumba, Cameroon, there have been no convictions in spousal abuse cases for 17 years. But two women determined to change their community are making progress that could change their country. This fascinating, often hilarious doc follows the work of State Prosecutor Vera Ngassa and Court President Beatrice Ntuba as they help women fight often-difficult cases of abuse, despite pressures from family and their community to remain silent. Six-year-old Manka is covered in scars and has run away from an abusive aunt, Amina is seeking a divorce to put an end to brutal beatings by her husband, the pre-teen Sonita has daringly accused her neighbor of rape.
With fierce compassion, the two feisty and progressive-minded women dispense wisdom, wisecracks and justice in fair measure, handing down stiff sentences to those convicted. A cross between “Judge Judy” and “The No.1 Ladies’ Detective Agency,” SISTERS IN LAW has audiences cheering when justice is served.
Directed by Kim Longinotto | UK/South Afica | 2008 | 103 minutes | English
Friday, March 1 - 9:15 p.m. / Monday, March 4 - 7:15 p.m.
Saturday, March 9 - 3:15 p.m. / Wednesday, March 13 - 7:15 p.m.
Fearless, feisty and resolute, the “Rough Aunties” are a remarkable group of women unwavering in their stand to protect and care for the abused, neglected and forgotten children of Durban, South Africa. This documentary by internationally acclaimed director Kim Longinotto (SISTERS IN LAW, DIVORCE IRANIAN STYLE) follows the outspoken, multiracial cadre of Thuli, Mildred, Sdudla, Eureka and Jackie, as they wage a daily battle against systemic apathy, corruption, and greed to help the most vulnerable and disenfranchised of their communities.
Despite the harsh realities of violence, poverty, and racism in the women’s work at the Bobbi Bear child welfare organization and in the heartaches of their personal lives, the portraits that emerge on screen are filled with grace, wisdom, friendship, and a deeply stirring conviction. Neither politics, nor social or racial divisions stand a chance against the united force of the women. Once again Longinotto has managed to bring us an intimate portrait of change from Africa, this time from post-apartheid South Africa, a nation being transformed with hope and energy into a new democracy.
DIVORCE IRANIAN STYLE
Directed by Kim Longinotto | Iran/UK | 1998 | 80 minutes | Persian with English Subtitles
Saturday, March 2 - 1:00 p.m. / Tuesday, March 5 - 5:00 p.m.
Saturday, March 9 - 5:30 p.m. / Thursday, March 14 - 5:00 p.m.
Hilarious, tragic, stirring, this fly-on-the-wall look at several weeks in an Iranian divorce court provides a unique window into the intimate circumstances of Iranian women’s lives. Following Jamileh, whose husband beats her; Ziba, a 16-year-old trying to divorce her 38-year-old husband; and Maryam, who is desperately fighting to gain custody of her daughters, this deadpan chronicle showcases the strength, ingenuity, and guile with which they confront biased laws, a Kafaka-esque administrative system, and their husbands’ and families’ rage to gain divorces.
With the barest of commentary, acclaimed director Kim Longinotto turns her cameras on the court and lets it tell its own story. Dispelling images of Iran as a country of war, hostages, and “fatwas”, and Iranian women as passive victims of a terrible system, this film is a subtle, fascinating look at women’s lives in a country which is little known to most Americans. Directed by Kim Longinotto and Ziba Mir-Hosseini, author of MARRIAGE ON TRIAL: A STUDY OF ISLAMIC FAMILY LAW.
Directed by Kim Longinotto | UK/Japan | 2000 | 104 minutes | English
Saturday, March 2 - 2:50 p.m. / Tuesday, March 5 - 6:50 p.m.
Saturday, March 9 - 7:20 p.m. / Thursday, March 14 - 6:50 p.m.
"This fascinating film follows the physically grueling and mentally exhausting training regimen of several young wanna-be GAEA GIRLS, a group of Japanese women wrestlers. The idea of them may seem like a total oxymoron in a country where women are usually regarded as docile and subservient. However, in training and in the arena, the female wrestlers depicted in this film are just as violent as any member of the World Wrestling Federation, and the blood that’s drawn is very real indeed. One recruit, Takeuchi, endures ritual humiliation not seen on screen since the boot camp sequences of FULL METAL JACKET. In DIVORCE IRANIAN STYLE, Kim Longinotto cinematically explored the previously unexplored world of the Tehran divorce courts. Working with co-director Jano Williams, Longinotto has been given access to shoot an insider’s verité account of this closely guarded universe." - Chicago Film Festival
Directed by Kim Longinotto | UK | 1995 | 53 minutes | English
Playing with ELLA ES EL MATADOR
Saturday, March 2 - 5:05 p.m. / Wednesday, March 6 - 5:00 p.m.
Saturday, March 9 - 9:35 p.m. / Thursday, March 14 - 9:15 p.m.
From the makers of DREAM GIRLS, SHINJUKU BOYS introduces three onnabes who work as hosts at the New Marilyn Club in Tokyo. Onnabes are women who live as men and have girlfriends, although they don't usually identify as lesbians. As the film follows them at home and on the job, all three talk frankly to the camera about their gender-bending lives, revealing their views about women, sex, transvestitism and lesbianism. Alternating with these illuminating interviews are fabulous sequences shot inside the Club, patronized almost exclusively by heterosexual women who have become disappointed with real men. This is a remarkable documentary about the complexity of female sexuality in Japan today.
WOMEN MAKE MOVIES FEATURES
Directed by Barbara Miller | Switzerland | 2012 | 95 minutes | English
Saturday, March 2 - 7:30 p.m. / Wednesday, March 6 - 7:25 p.m.
Sunday, March 10 - 1:00 p.m.
Their voices are suppressed, prohibited and censored. But world-famous bloggers Yoani Sánchez, Zeng Jinyan and Farnaz Seifi are not frightened of their dictatorial regimes. These fearless women stand for a new, networked generation of modern rebels. In Cuba, China and Iran their blogs shake the foundations of the state information monopoly – putting their lives at great risk. Barbara Miller’s film FORBIDDEN VOICES accompanies these brave young rebels on their dangerous journey and trace their use of social media like Facebook, YouTube and Twitter to denounce and combat the violations of human rights and freedom of speech in their countries – thereby triggering international resonance by building up enormous political pressure. TIME Magazine counts them among the world’s most influential voices. Based on their moving eyewitness reports and clandestine footage, FORBIDDEN VOICES pays homage to their courageous battle.
LOVE AND DIANE
Directed by Jennifer Dworkin | US/France | 2002 | 153 minutes | English
Saturday, March 2 - 9:35 p.m./ Thursday, March 7 - 4:50 p.m.
Sunday, March 10 - 3:05 p.m.
Love & Diane tells the epic story of a family over three generations. At its heart lies the highly charged relationship between a mother and daughter, desperate for love and forgiveness but caught in a devastating cycle. For Love, the world changed forever when she and her siblings were torn from their mother, Diane. Separated from her family and thrust into a terrifying world of institutions and foster homes, the memory of that moment is more vivid to her than her present life.
Diane Hazzard is a single mother of six children and a recovering crack addict living in Brooklyn. As the film opens, one of her daughters, Love Hinson, has just given birth to a baby boy, Donyaeh. Love and Diane follows the family's trials over nearly three years, as Diane struggles valiantly to reunite her family and regain the trust of her children. Love, meanwhile, deals with her own history of abuse and her HIV-positive status as she fights to maintain custody of Donyaeh. Love's fitness as a parent is called into question as she grapples with depression, and with her powerful rage at her mother and the world. Diane's efforts to hold her family together after it has been wracked by tragedy are thwarted by a well meaning but inept child welfare system. Donyaeh, meanwhile, grows up a miraculously bright and happy little boy. Dworkin's film was shown at the 2002 Locarno Film Festival, where it shared the Golden Leopard Video prize. It was also selected for the 2002 New York Film Festival.
Directed by Natalia Almada | US | 2009 | 83 minutes | English/Spanish with English Subtitles
Sunday, March 3 - 1:00 p.m. / Thursday, March 7 - 7:55 p.m.
Sunday, March 10 - 6:10 p.m.
Past and present collide in this extraordinarily well crafted documentary when filmmaker Natalia Almada (ALL WATER HAS A PERFECT MEMORY), winner of the Sundance Film Festival’s US Directing Award for documentary, brings to life audio recordings she inherited from her grandmother. These recordings feature Alicia Calles’ reminiscences about her own father—Natalia’s great-grandfather—General Plutarco Elías Calles, a revolutionary general who became president of Mexico in 1924. In his time, Calles was called “El Bolshevique” and “El Jefe Máximo”, or “the foremost chief”. Today, he remains one of Mexico’s most controversial figures, illustrating both the idealism and injustices of the country’s history.
Through Alicia’s voice, this visually stunning, stylistically innovative film moves between the conflicting memories of a daughter grappling with her remembrances of her father and his violent public legacy. It draws exceptional strength from meticulously edited audio, haunting photographs, archival newsreels, and old Hollywood films, combined with an original evocative soundtrack, sweeping footage of modern-day Mexico City, and interviews with today’s working poor. EL GENERAL is a poetic and cinematic exploration of historical judgment, and a complex, arresting portrait of a family and country living under the shadows of the past.
THE PRICE OF SEX
Directed by Mimi Chakarova | US | 2011 | 73 minutes | English/Russian/Turkish/Bulgarian with English Subtitles
Sunday, March 3 - 2:55 p.m. / Thursday, March 7 - 9:50 p.m.
Monday, March 11 - 5:00 p.m.
An unprecedented and compelling inquiry, THE PRICE OF SEX sheds light on the underground criminal network of human trafficking and experiences of trafficked Eastern European women forced into prostitution abroad. Photojournalist Mimi Chakarova’s feature documentary caps years of painstaking, on-the-ground reporting that aired on Frontline (PBS) and 60 Minutes (CBS) and earned her an Emmy nomination, Magnum photo agency’s Inge Morath Award, and a Webby for Internet excellence.
Filming undercover with extraordinary access, even posing as a prostitute to gather her material, Bulgarian-born Chakarova travels from impoverished rural areas in post-Communist Eastern Europe, including her grandmother’s village, to Turkey, Greece, and Dubai. This dangerous investigative journey brings Chakarova face to face with trafficked women willing to trust her and appear on film undisguised. Their harrowing first-person accounts, as well as interviews with traffickers, clients, and anti-trafficking activists, expose the root causes, complex connections, and stark significance of sexual slavery today.
Directed by Simone Bitton | France/Belgium | 2009 | 100 minutes | Hebrew/Arabic with English Subtitles
Sunday, March 3 - 4:40 p.m. / Friday, March 8 - 5:00 p.m.
Monday, March 11 - 6:45 p.m.
RACHEL is a startlingly rigorous, fascinating and deeply moving investigatory documentary that examines the death of peace activist and International Solidarity Movement (ISM) member Rachel Corrie, who was crushed by an Israeli army bulldozer in the Gaza Strip in 2003. A few weeks after her little-reported death, an inquiry by Israeli military police concluded that Corrie died in an accident. Simone Bitton (WALL), an award-winning documentary filmmaker who is a citizen of both France and Israel, has crafted a dispassionate but devastating essay investigating the circumstances of Rachel Corrie’s death—including astounding eyewitness testimony from activists, soldiers, Israeli Defense Force army spokespersons and physicians, as well as insights from Corrie’s parents, mentors and diaries.
ELLA ES EL MATADOR (She Is The Matador)
Directed by Gemma Cubero and Celeste Carrasco | US/Spain | 2009 | 62 minutes | Spanish/Italian with English Subtitles
Playing with SHINJUKU BOYS
Saturday, March 2 - 5:05 p.m. / Wednesday, March 6 - 5:00 p.m.
Saturday, March 9 - 9:35 p.m. / Thursday, March 14 - 9:15 p.m.
For Spaniards—and for the world—nothing has expressed their country’s traditionally rigid gender roles more powerfully than the image of the male matador. So sacred was the bullfighter’s masculinity to Spanish identity that a 1908 law barred women from the sport.
Visually stunning and beautifully crafted, ELLA ES EL MATADOR (She is the Matador) reveals the surprising history of the women who made such a law necessary, and offers fascinating profiles of two female matadors currently in the arena, the acclaimed Maripaz Vega and neophyte Eva Florencia. These women are gender pioneers by necessity, confronting both bull and social code. But what emerges through this mesmerizing film is their truest motivation—a sheer passion for bullfighting, in the pursuit of a dream.
WMM SHORTS PROGRAM
123 minutes | Featuring five short films
Sunday, March 3 - 6:50 p.m. / Tuesday, March 12 - 5:00 p.m.
The Body Beautiful
(Directed by Ngozi Onwurah | UK | 1991 | 23 minutes)
This bold, stunning exploration of a white mother who undergoes a radical mastectomy and her Black daughter who embarks on a modeling career reveals the profound effects of body image and the strain of racial and sexual identity on their charged, intensely loving bond. At the heart of Onwurah’s brave excursion into her mother’s scorned sexuality is a provocative interweaving of memory and fantasy. The filmmaker plumbs the depths of maternal strength and daughterly devotion in an unforgettable tribute starring her real-life mother, Madge Onwurah.
(Directed by Julie Dash | 1983 | 34 minutes)
The time is 1942, a year after Pearl Harbor; the place is National Studios, a fictitious Hollywood motion picture studio. Mignon Duprée, a Black woman studio executive who appears to be white and Ester Jeeter, an African American woman who is the singing voice for a white Hollywood star are forced to come to grips with a society that perpetuates false images as status quo. This highly-acclaimed drama by one of the leading African American women directors follows Mignon's dilemma, Ester's struggle and the use of cinema in wartime Hollywood: three illusions in conflict with reality.
Night Cries: A Rural Tragedy
(Directed by Tracey Moffatt | Australia | 1990 | 19 minutes)
On an isolated, surreal Australian homestead, a middle-aged Aboriginal woman nurses her dying white mother. The adopted daughter’s attentive gestures mask an almost palpable hostility. Their story alludes to the assimilation policy that forced Aboriginal children to be raised in white families. The stark, sensual drama unfolds without dialogue against vivid painted sets as the smooth crooning of an Aboriginal Christian singer provides ironic counterpoint. Moffatt’s first 35mm film displays rare visual assurance and emotional power.
(Directed by Julie Wyman | 2004 | 28 minutes)
Julie Wyman’s ebullient experimental documentary intertwines the story of the Padded Lilies, a troupe of fat synchronized swimmers, Archimedes, the Greek mathematician obsessed with floating bodies, and the inventor of the “Drystroke Swimulator” to investigate, proclaim and celebrate the fact that fat floats!
All Water has a Perfect Memory
(Directed by Natalia Almada | Mexico/US | 2001 | 19 minutes | Spanish/English with English Subtitles)
ALL WATER HAS A PERFECT MEMORY is a poignant experimental documentary that explores the effects of tragedy and remembrance on a bi-cultural family. At seven months old, filmmaker Natalia Almada lost her two-year-old sister, Ana Lynn, in a drowning accident at her childhood home in Mexico. Inspired by an essay written by Toni Morrison, in which she speaks of the Mississippi River’s ability to conjure memories, this moving piece serves as a meditation on the cultural and gender differences between the filmmaker’s North American mother and Mexican father in the face of their daughter’s death. Through personal recollections narrated by each family member, including her brother, Almada incorporates Super-8 home movies, photographs and fabricated images to weave together a touching and moving visual memory of Ana Lynn.
SPECIAL EVENTS COMING SOON