Mary Riepma Ross Film Theater
University of Nebraska, Lincoln
Hixson-Lied College of Fine & Performing Arts

September 02, Thursday

ADMISSION:
Evening
$9.00 Adults
$6.50 Students
$6.50 Children
$7.00 Military
$7.00 Seniors
$6.00 Members

Matinee
$7.00 Adults
$6.00 Students
$6.00 Children
$6.00 Military
$6.50 Seniors
$5.50 Members

Children are 12 and under, Seniors are 60 and older

Students and Military must show a valid ID to receive discount

We accept cash, check, NCard, Visa, and Mastercard

Box Office Opens 30 Minutes Before Showtimes


RATINGS:
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

LOCATION:
313 N. 13 STREET
LINCOLN, NEBRASKA


FEATURED SPONSOR:



The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
INTO GREAT SILENCE
Visit the Official Website
 
INTO GREAT SILENCE
Directed By: Philip Groning
Runtime: 2 hours, 44 minutes
Rating: Not Rated
Distributor: Zeitgeist Films
Country: Germany
Release Date: March 2, 2007

Synopsis
INTO GREAT SILENCE fits neatly into the sub-category of films that need to be experienced rather than just watched. Over 162 minutes director Philip Groening films a group of monks who dwell in the Carthusian monastery of the Grande Chartreuse in the French Alps. The monks have taken a vow of silence, and live life at such a gentile pace that it took them 13 years to respond to Groening's request to make a film about them. The subjects of Groening's film fill their days with slow and highly repetitive routines, so the director shoots at a suitably slow pace, highlighting simple tasks such as praying, gardening, cooking, and doing laundry.



Groening lived with the monks for four months and worked under strict conditions dictated to him by the order; no voiceover, music, or interviews were to be included in the film, and Groening was to be the sole crew member on the shoot. There are a couple of moments when Groening breaks with his modus operandi. He interviews an elderly blind monk, the Gregorian Chants practiced by the order occasionally feature, and the monks stage a snowball fight on one of their weekly breaks from the monastery. But the film is mostly comprised of a long, lonely trip into silence, and will doubtless leave its audience members in a contemplative and restful state of mind once the journey comes to a peaceful end.