Mary Riepma Ross Film Theater
University of Nebraska, Lincoln
Hixson-Lied College of Fine & Performing Arts

May 19, Sunday

ADMISSION:
Evening
$9.50 Adults
$7.00 Students
$7.00 Children
$7.50 Military
$7.50 Seniors
$6.50 Members

Matinee
$7.50 Adults
$6.50 Students
$6.50 Children
$6.50 Military
$7.00 Seniors
$6.00 Members

Children are 12 and under, Seniors are 60 and older

Students and Military must show a valid ID to receive discount

We accept cash, check, NCard, Visa, and Mastercard

Box Office Opens 30 Minutes Before Showtimes


RATINGS:
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

LOCATION:
313 N. 13 STREET
LINCOLN, NEBRASKA




The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
RIVERS AND TIDES:  ANDY GOLDSWORTHY WORKING WITH TIME
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RIVERS AND TIDES: ANDY GOLDSWORTHY WORKING WITH TIME
Directed By: Thomas Riedelsheimer
Runtime: 90 minutes
Rating: Not rated

Synopsis
RIVERS AND TIDES: Andy Goldsworthy Working With Time - Cosponsored by the University Place Art Center

"Painstakingly constructed cenotaphs of loose, flat rocks, which resemble giant pinecones, decorate the beaches and woodland clearings of several continents, thanks to a grizzled and eloquent nature spirit named Andy Goldsworthy.

A Scottish sculptor (for want of a better term) who works not just with natural materials but in situ in a variety of natural settings, Goldsworthy intuits "the lines of force that flow through nature." In time-lapse sequences we watch him assemble elaborate quasi-organic forms designed to reveal (as he explains) "something that was always there but that you’ve been blind to."

German filmmaker Thomas Riedelsheimer (Lhasa and the Spirit of Tibet) has crafted a beautifully contemplative documentary that follows Goldsworthy over the course of a year as he accepts prestigious international commissions and works on personal projects literally in his own back yard.

He is observed both in the wild, as a monkish obsessive, and in his orderly home office, a diligent entrepreneur whose best-selling coffee-table boffice, a diligent entrepreneur whose best-selling coffee-table books contain lush photographic records of projects that are ephemeral by design, as the elements swirl in to reclaim them.

Very few art documentaries are as deeply in tune with the spirit of their subjects, and the implications are enormous, since Goldsworthy is the rare contemporary art star whose work (what a radical notion) is actually about something." —David Chute, LA Weekly

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