Mary Riepma Ross Film Theater
University of Nebraska, Lincoln
Hixson-Lied College of Fine & Performing Arts

September 10, Friday

ADMISSION:
Evening
$9.00 Adults
$6.50 Students
$6.50 Children
$7.00 Military
$7.00 Seniors
$6.00 Members

Matinee
$7.00 Adults
$6.00 Students
$6.00 Children
$6.00 Military
$6.50 Seniors
$5.50 Members

Children are 12 and under, Seniors are 60 and older

Students and Military must show a valid ID to receive discount

We accept cash, check, NCard, Visa, and Mastercard

Box Office Opens 30 Minutes Before Showtimes


RATINGS:
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

LOCATION:
313 N. 13 STREET
LINCOLN, NEBRASKA


FEATURED SPONSOR:



The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER
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DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER
Directed By: Kurt Kuenne
Runtime: 1 hour, 35 minutes
Rating: Not Rated
Distributor: Oscilloscope Laboratories
Country: USA
Release Date: October 31, 2008

Synopsis
ONE WEEK ONLY! DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER is not for the faint of heart. Filmmaker Kurt Kuenne's excruciatingly powerful documentary begins as a memorial to a lost friend, Andrew Bagby, who was brutally murdered in 2001 by a crazed ex-girlfriend. Yet as Kuenne traveled the globe to interview friends and family of the beloved young doctor, Bagby's killer, Shirley Turner, fled to Newfoundland to escape arrest. Under the backwards protection of the Canadian law, she was allowed to remain free; during that time, she revealed that she was pregnant with Andrew's child.



Knowing that this woman was responsible for their son's death, David and Kathleen Bagby nonetheless moved to Newfoundland in order to be closer to their grandson. And that's when things got even worse. With DEAR ZACHARY, Kuenne has fashioned one of the more unusual, and devastating, documentaries of recent memory. It is a deeply personal home video memoir, a true crime thriller, an impassioned plea for judicial reform, and an ode to two of the most heroic, loving parents the screen has ever seen. Each of these, on its own terms, makes the film a striking success, but when they are seamlessly woven together into one narrative, it becomes something much more stunning. DEAR ZACHARY is painful viewing, but it is also nonfiction filmmaking at its most vital and important.