Mary Riepma Ross Film Theater
University of Nebraska, Lincoln
Hixson-Lied College of Fine & Performing Arts

June 19, Wednesday

ADMISSION:
Evening
$9.50 Adults
$7.00 Students
$7.00 Children
$7.50 Military
$7.50 Seniors
$6.50 Members

Matinee
$7.50 Adults
$6.50 Students
$6.50 Children
$6.50 Military
$7.00 Seniors
$6.00 Members

Children are 12 and under, Seniors are 60 and older

Students and Military must show a valid ID to receive discount

We accept cash, check, NCard, Visa, and Mastercard

Box Office Opens 30 Minutes Before Showtimes


RATINGS:
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

LOCATION:
313 N. 13 STREET
LINCOLN, NEBRASKA




The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
MOVING MIDWAY
Visit the Official Website
 
MOVING MIDWAY
Directed By: Godfrey Cheshire
Runtime: 1 hour, 38 minutes
Rating: Not Rated
Distributor: First Run Features
Country: USA
Release Date: September 12, 2008

Synopsis
Godfrey Cheshire's richly observed film about his family's Southern plantation - and the colossal feat of moving it to escape urban sprawl - is a thoughtful and witty look at the lingering remnants and still-powerful mythology of plantation culture and the antebellum South. An award-winning film critic turned film maker, Cheshire uses the relocation of his family's North Carolina plantation house to embark on a surprising and multi-layered journey.



While observing the elaborate, arcane preparations for moving a centuries-old house over fields and a rock quarry, unexpected human drama - from both the living and the dead - emerges. And a chance encounter leads Cheshire and his cousins to discover a previously unknown African American branch of the family (who have their own take on Midway and its legacy). Through the use of movies and music, and by turning the camera on himself and his family, Cheshire examines the Southern plantation in American history and culture, and how the racial legacy from the past continues into the present.--© First Run Features


A Novel Idea