Mary Riepma Ross Film Theater
University of Nebraska, Lincoln
Hixson-Lied College of Fine & Performing Arts

September 10, Friday

ADMISSION:
Evening
$9.00 Adults
$6.50 Students
$6.50 Children
$7.00 Military
$7.00 Seniors
$6.00 Members

Matinee
$7.00 Adults
$6.00 Students
$6.00 Children
$6.00 Military
$6.50 Seniors
$5.50 Members

Children are 12 and under, Seniors are 60 and older

Students and Military must show a valid ID to receive discount

We accept cash, check, NCard, Visa, and Mastercard

Box Office Opens 30 Minutes Before Showtimes


RATINGS:
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

LOCATION:
313 N. 13 STREET
LINCOLN, NEBRASKA


FEATURED SPONSOR:



The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
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Directed By: Mary Haverstick
Runtime: 1 hour, 24 minutes
Rating: PG-13 for some disturbing thematic material
Distributor: Monterey Media
Country: USA
Release Date: May 1, 2009
With: Marcia Gay Harden, Eulala Scheel, Marian Seldes, & Michael Gaston

Synopsis
ONE WEEK ONLY! There are moments frozen under glass...
Inga (Marcia Gay Harden) is a poet and mother to a young daughter (Eulala Scheel, Ms. Harden's real life daughter). Inga is drawn to a house that reminds her of her childhood home, and here she realizes that many things in her life are coming full circle.



She wants to buy and restore an old house but her distant husband Hermann (Michael Gaston) sees little value in old houses or many of the things Inga loves and writes about. Inga's crumbling marriage is in stark contrast to her closeness with her 8-year-old daughter with whom she shares her hopes, fears and inner- most thoughts. By day their relationship seems magical, full of cloud watching, kite flying and lazy summer drives. But at night Inga is troubled by her marriage, its lack of intimacy and her fears of her own mortality.

Now facing recent breast cancer Inga is using alcohol in much the same way as her mother's use of morphine to control her pain. Like many artists Inga's struggle is reflected in her poems, which she writes on scraps of paper and then discards. But it is in her own poems that she hears the echo of what her mother must have gone through and it is this revelation that allows Inga to transform. --© Monterey Media