Mary Riepma Ross Film Theater
University of Nebraska, Lincoln
Hixson-Lied College of Fine & Performing Arts

September 10, Friday

ADMISSION:
Evening
$9.00 Adults
$6.50 Students
$6.50 Children
$7.00 Military
$7.00 Seniors
$6.00 Members

Matinee
$7.00 Adults
$6.00 Students
$6.00 Children
$6.00 Military
$6.50 Seniors
$5.50 Members

Children are 12 and under, Seniors are 60 and older

Students and Military must show a valid ID to receive discount

We accept cash, check, NCard, Visa, and Mastercard

Box Office Opens 30 Minutes Before Showtimes


RATINGS:
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

LOCATION:
313 N. 13 STREET
LINCOLN, NEBRASKA


FEATURED SPONSOR:



The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
HUNGER
Visit the Official Website
 
HUNGER
Directed By: Steve McQueen
Runtime: 1 hour, 36 minutes
Rating: Not Rated
Distributor: IFC Films
Country: United Kingdom
Release Date: December 5, 2008
With: Michael Fassbender, Liam Cunningham, Stuart Graham, Brian Milligan

Synopsis
Renowned English video artist Steve McQueen's feature film debut, HUNGER, is a cinematic punch to the gut. McQueen brings a visceral intensity to his retelling of the hunger strike instigated by Bobby Sands (Michael Fassbender) and several other detained Irish Republican Army members in the early 1980s, who were determined to live in a Northern Ireland free from British rule. In prison, Sands and other IRA members--including Davey Gillen (Brian Milligan) and Gerry Campbell (Liam McMahon)--at first protest by refusing to wear the standard prison garb, but soon, they take their protest dangerously further.



McQueen comes from an experimental background, and it shows. He and co-screenwriter, the acclaimed Irish playwright Enda Walsh, blow all the prison movie clichés out of the water. They break their film into three distinct acts. In the first, Gillen and Campbell are tormented by prison guards and made to suffer in a cramped, feces-smeared cell. In the second, Sands and Father Moran (Liam Cunningham) have a startling battle of wits--and emotions--that occurs in a dazzling extended one-take sequence. Lastly, we watch as Sands slowly withers away to nothing. It's impossible not to make a political film out of this furiously political material, but McQueen chooses to concentrate on the more visceral, tactile elements of the story to drive his point home. HUNGER is one of the more exciting directorial debuts of recent memory.