Mary Riepma Ross Film Theater
University of Nebraska, Lincoln
Hixson-Lied College of Fine & Performing Arts

September 08, Wednesday

ADMISSION:
Evening
$9.00 Adults
$6.50 Students
$6.50 Children
$7.00 Military
$7.00 Seniors
$6.00 Members

Matinee
$7.00 Adults
$6.00 Students
$6.00 Children
$6.00 Military
$6.50 Seniors
$5.50 Members

Children are 12 and under, Seniors are 60 and older

Students and Military must show a valid ID to receive discount

We accept cash, check, NCard, Visa, and Mastercard

Box Office Opens 30 Minutes Before Showtimes


RATINGS:
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

LOCATION:
313 N. 13 STREET
LINCOLN, NEBRASKA


FEATURED SPONSOR:



The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
THE MESSENGER
Visit the Official Website
 
THE MESSENGER
Directed By: Oren Moverman
Runtime: 1 hour, 45 minutes
Rating: R for language and some sexual content/nudity
Distributor: Oscilloscope Laboratories
Country: USA
Release Date: November 13, 2009
With: Ben Foster, Woody Harrelson, Samantha Morton, Jena Malone

Synopsis
Nominated for two Academy Awards:
Woody Harrelson (Actor in a Supporting Role)
Best Original Screenplay (Allesandro Camon, Oren Moverman)


I’m Not There screenwriter Oren Moverman makes his directorial debut with THE MESSENGER, a moving and nuanced drama about the home-front readjustment period for decorated Iraq War hero Will Montgomery (Ben Foster) who, after surviving a roadside blast, has been reassigned as a Casualty Notification Officer. He is partnered with self-proclaimed lunatic Captain Tony Stone (Woody Harrelson), a dogged Army lifer and semi recovering alcoholic whose only support system is military etiquette.



Together, they deliver the worst news to fallen soldiers’ next of kin, and for Will, the volatile (and largely improvised) reactions from those left behind pick at his own emotional scabs. Some might duck and cover at a premise so grim, but Moverman and co-writer Alessandro Camon’s top-notch script is loaded with authentic compassion and charm — even unlikely sucker punches of humor. Foster appropriately underplays, while Harrelson, never over the top, nails his showier role. The film is obviously about coping with grief — or not knowing how to — as illustrated in a slightly overcooked subplot about a newly widowed woman (Samantha Morton) Will tries to woo. But what really resonates is the complex tale of camaraderie between two men whose only hope of avoiding self-destruction is to let down their guard — which is, of course, against protocol.—Aaron Hillis, L.A. Weekly