Mary Riepma Ross Film Theater
University of Nebraska, Lincoln
Hixson-Lied College of Fine & Performing Arts

May 18, Saturday

ADMISSION:
Evening
$9.50 Adults
$7.00 Students
$7.00 Children
$7.50 Military
$7.50 Seniors
$6.50 Members

Matinee
$7.50 Adults
$6.50 Students
$6.50 Children
$6.50 Military
$7.00 Seniors
$6.00 Members

Children are 12 and under, Seniors are 60 and older

Students and Military must show a valid ID to receive discount

We accept cash, check, NCard, Visa, and Mastercard

Box Office Opens 30 Minutes Before Showtimes


RATINGS:
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

LOCATION:
313 N. 13 STREET
LINCOLN, NEBRASKA




The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
BUBBA HO-TEP (FINAL WEEKEND)
Visit the Official Website
 
BUBBA HO-TEP (FINAL WEEKEND)
Directed By: Don Coscarelli
Runtime: 1 hour, 32 minutes
Rating: R
Country: USA
Release Date: Sep 19, 2003

Synopsis
This is the first Elvis movie I’ve ever liked. Don’t get me wrong, Viva Las Vegas has Ann-Margaret back when she was still quite the kitten with a whip, and Kid Galahad is enjoyable simply because it might be the worst boxing movie of all time, but BUBBA HO-TEP is the first movie that actually made me root for the King.



Of course, it doesn’t hurt that Elvis is played by the incomparable Bruce Campbell, or that Ossie Davis plays former President JFK, or that the whole thing is based on a short story by the great Joe R. Lansdale. In retrospect, there was little chance I *wouldn’t* like this movie.

The premise is simple: suppose Elvis didn’t die in 1977, but switched identities with an Elvis impersonator during the early 1970’s in order to escape the harsh glare of fame. Further, assume the impersonator died and Elvis broke a hip while performing, eventually landing in an East Texas retirement home. Introduce him to a man claiming to be JFK and throw in a soul-sucking mummy using their rest home as a feeding ground and you’ve pretty much got it. -Pete Vonder Haar, film threat magazine

click here to view trailer

Cornhusker Bank