Mary Riepma Ross Film Theater
University of Nebraska, Lincoln
Hixson-Lied College of Fine & Performing Arts

September 02, Thursday

ADMISSION:
Evening
$9.00 Adults
$6.50 Students
$6.50 Children
$7.00 Military
$7.00 Seniors
$6.00 Members

Matinee
$7.00 Adults
$6.00 Students
$6.00 Children
$6.00 Military
$6.50 Seniors
$5.50 Members

Children are 12 and under, Seniors are 60 and older

Students and Military must show a valid ID to receive discount

We accept cash, check, NCard, Visa, and Mastercard

Box Office Opens 30 Minutes Before Showtimes


RATINGS:
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

LOCATION:
313 N. 13 STREET
LINCOLN, NEBRASKA


FEATURED SPONSOR:



The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
SHATTERED GLASS
Visit the Official Website
 
SHATTERED GLASS
Directed By: Billy Ray
Runtime: 1 hour, 34 minutes
Rating: PG-13, language, sexual ref, drug use
Distributor: Lions Gate
Country: USA
Release Date: October 31, 2003

Short Film:

Synopsis
SHATTERED GLASS stars Hayden Christensen as Stephen Glass, a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September, 1998 Vanity Fair article upon which SHATTERED GLASS is based - suddenly stopped his career in its tracks.



SHATTERED GLASSis a study of a very talented - and at the same time very flawed - character. It is also a look inside our culture's noblest profession, one that protects our most precious freedoms by revealing the truth, and what happens when our trust in that profession is called into question.

Director’s Statement

It was with a mixture of dread and awe that I first learned of the saga of Stephen Glass through Buzz Bissinger's Vanity Fair piece, Shattered Glass. As soon as I'd read it, I knew that this was a story I wanted to tell.

Glass' rise and fall resonated with themes that matter to me: the responsibility of the press, the dangers inherent to a cult of personality, and the day-to-day ethical dilemmas that define us as individuals. Glass quickly became, at least for me, the face of something larger than himself, larger even than the magazine he so badly damaged. He began to represent a wake-up call about the state of journalism in this country, one made even louder by this spring's developments of Jayson Blair at the New York Times. When people can no longer believe what they read, their only choices will be to either turn to television for their daily news, or to stop seeking out news entirely. Either path, I think, is a very dangerous one for this country.

That's why I wanted to make the film.

To do it, I needed and received a great deal of help from the very people Glass had wronged at The New Republic: Chuck Lane, the late Michael Kelly, and several sources who wished to remain nameless ... all of these people were extremely generous with me, sharing details of a period that had caused them nothing but pain, confusion, and embarrassment.

Particular mention should be made of Mike Kelly, who remains the most principled man it's ever been my good fortune to meet. Kelly remained haunted by his role in Glass' rise, and he was sick about the idea that a movie might forever immortalize him as the Editor who DIDN'T catch Glass. But Kelly's integrity was so great that he couldn't resist helping me and because Mike at his core was a reporter. And what mattered to him most was that I get the story right. He was truly a giant.

His efforts, and those of Chuck Lane and all my other sources, gave the script its authenticity. A cast of wonderful actors then did the rest. The only rule on our set was that every choice in every scene had to tell the truth.

The result, I think, was the cinematic equivalent of good reporting. Shattered Glass is not an attack on a fallen reporter, any more than it is an apology for his behavior. It's just an accurate account of a complicated mess. And when you're telling a story about reporting and truth, that's the only standard that matters.

Billy Ray
June 2003

click here to view trailer








SHATTERED GLASS will be preceded by the short film 2 MINUTTER

Written and Directed by Jacob Tschernia

8 minutes.

The best way to find out who you are is to find out what your limits are - to do your utmost. That's the theme of this short psychological thriller. A boy lies in his bathtub, holding his breath, trying to break his personal record - 2 minutes.

click here to visit the official website