7:30 p.m.
Q+A with Elisabeth Subrin
Mary Riepma Ross Media Arts Center
313 North 13th Street
Lincoln, NE 68508 402-472-5353

Q+A with Elisabeth Subrin Geske Cinema Showcase

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The Norman A. Geske Cinema Showcase presents Director Elisabeth Subrin, who will appear for a Q&A with the audience following the opening night screening of her film A WOMAN, A PART at 7:30 p.m. on Friday, December 15.

Event Times

12.15 Fri 7:30 p.m.


Elisabeth Subrin’s critically acclaimed films and video art have screened widely internationally, including at The New York Film Festival, The Rotterdam International Film Festival, The Vienna Viennale, The Whitney Biennial, The Sundance Channel and The Museum of Modern Art, New York. She's the recipient of awards from the Los Angeles Film Critic’s Association, The New England Film Festival, and the USA Film Festival, among others. Her film “Shulie” was selected for the once-a-decade British Film Institute’s Sight and Sound critic’s poll of “Greatest Films Ever.” Her 2010 retrospective at Sue Scott Gallery was included in “Best Of ” lists from The New York Times and Time Out New York, and her two-channel film “Lost Tribes and Promised Lands” subsequently traveled to museums in Paris, Stockholm, Milwaukee, Pittsburgh, MoMA/PS1’s “Greater New York,” and was featured in VOLTA/NY. Subrin participated in The Sundance Institute Feature Film Directing and Screenwriting Labs with her first feature screenplay, “Up.”

A 2002 Guggenheim Fellow, she's also received grants and fellowships from The Rockefeller, Annenberg, Creative Capital and Andrea Frank Foundations. She’s received commissions for new projects from The Danish Arts Council/DaNY Arts, Participant, Inc., The Institute of Contemporary Art, Philadelphia, Sue Scott Gallery, New York, and The MacDowell Colony. Her work has been featured in The New York Times, Artforum, Film Comment, Frieze, BOMB, LA Weekly and Filmmaker Magazine. Subrin teaches in the Film and Media Arts Department at Temple University and lives in Brooklyn. A WOMAN, A PART is her first narrative feature.

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