Date

Sep 21 - 26 2024

ADIOS BUENOS AIRES

Helmed by the director of the award-winning documentary ‘Our Last Tango’, ‘Adios Buenos Aires’ is the charming tragicomic story of a charismatic bandoneon player trying to keep his life together during Argentina’s political and economic crisis of 2001.

SHOWTIMES

SEPT 20 | FRI

NO SCREENINGS
UNL CLOSED FOR HOMEGAME

SEPT 21 | SAT

12:20, 5:00 p.m.

SEPT 22 | SUN

2:40, 7:20 p.m.

SEPT 23 | MON

5:00 p.m.

SEPT 24 | TUE

7:20 p.m.

SEPT 25 | WED

5:00 p.m.

SEPT 26 | THU

7:20 p.m.
SYNOPSIS

Buenos Aires, November 2001. Argentina is embroiled in crisis, with the peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the “Vecinos de Pompeya,” a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment, he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman, and feisty cab driver, bumps into his car at full speed, damaging Julio’s last possession of value before stealing his heart….

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Director
German Kral
WITH
Diego Cremonesi, Marina Bellati, Carlos Portaluppi, Manuel Vicente, Rafael Spregelburd, Mario Alarcon
Run Time

1 hour, 33 minutes

Released

May 3, 2024

Distributed by

Outsider Pictures

HEARING AND VISUAL ASSISTANCE

Assisted Listening
Subtitled / Open Captions
Additional assistance options TBA

Country

Argentina

SUBTITLES

Spanish with English subtitles

NOT RATED

Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

REVIEWS

“A fresh and hopeful perspective, in which humor frequently intrudes.”

Sergio Burstein

Los Angeles Times

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