Date

Mar 07 - 13 2025
Ongoing...

ARMAND

When defamed actress Elisabeth is called to a parent-teacher conference after hours, she is presented with scathing allegations that trigger a tangled web of accusations between parents and faculty.

SHOWTIMES

MAR 7 | FRI

4:50, 7:20 p.m.

MAR 8 | SAT

11:50 a.m., 2:20, 4:50, 7:20 p.m.

MAR 9 | SUN

11:50 a.m., 2:20, 4:50, 7:20 p.m.

MAR 10 | MON

4:50, p.m.

MAR 11 | TUE

4:50, 7:20 p.m.

MAR 12 | WED

4:50, 7:20 p.m.

MAR 13 | THU

4:50, 7:20 p.m.
SYNOPSIS

When defamed actress Elisabeth (Renate Reinsve) is abruptly called into a parent-teacher meeting after hours, she is presented with scathing allegations that trigger a tangled web of accusations between parents and faculty. As Elisabeth struggles to uncover the truth amid the empty school rooms and dark corridors, a chaotic fight for redemption arises where desire, madness and obsession prevail.

Official Website

Director
Halfdan Ullmann Tøndel
WITH

Renate Reinsve, Ellen Dorrit, Petersen, Thea Lambrechts Vaulen, Endre Hellestveit, Øystein Røger, Vera Veljovic

Run Time

1 hour, 57 minutes

Released

February 7, 2025

Distributed by

IFC Films

HEARING AND VISUAL ASSISTANCE

Assisted Listening
Subtitled / Open Captions

Country

Norway

SUBTITLES

Norwegian with English Subtitles

RATED R

for some language and sexual material

REVIEWS

“The film starts by promising a bourgeois social drama about secrets and lies, suspicions and rivalries, and the troubled waters of juvenile and adult sexuality. What it ultimately becomes is much harder to define, but the result is resonant and haunting.”

Jonathan Romney

Screen International

“Forget sweeping shots of big landscapes, it’s the topography of the human face that is most stunning to behold. In Reinsve’s crumbling visage, we bear witness to what happens when the lives we delicately build threaten to chip and shatter before our eyes.”

Chase Hutchinson

TheWrap

“In a film playing with thriller and melodrama conventions before tipping over into expressive surrealism, hers is a fiercely visceral presence; Reinsve performs as if dancing on the edge of a knife.”

Isaac Feldberg

RogerEbert.com

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