THE GIRL AND THE SPIDER
In their follow-up to THE STRANGE LITTLE CAT, Ramon and Silvan Zürcher compose a poetic
panopticon of relationships that circle Mara as her roommate Lisa prepares to move out of their apartment.
SYNOPSIS
Beneath its deceptively placid surface, THE GIRL AND THE SPIDER grapples with deeply meaningful questions of personal identity in the face of fundamental change. As her roommate Lisa prepares to move out of their apartment, Mara contemplates the end of an era. Furniture is moved, walls painted, cupboards built. Amid all the hustle and bustle, secret longings and desires come to the surface and coalesce around the roommates as well as around Lisa’s mother Astrid, the movers, the girls’ old neighbors, the neighbors’ cat, Lisa’s new neighbor and an ever-expanding cast of characters. Day turns into night and one final party in the apartment. When the last box is moved, the fragments of their lives remain. The Zürcher brothers compose a poetic panopticon of forms of human relationships that is at once a study of everyday life, a fairytale and a psychological portrait of a brittle world. Following The Strange Little Cat, THE GIRL AND THE SPIDER is the second installment in a trilogy about human togetherness, a ballad about the need for closeness and the pain of separation.
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SUBTITLES
NOT RATED
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.
