ONLY IN THEATERS
The Laemmle Theaters, a beloved Arthouse Cinema chain with a Hollywood legacy, has passionately elevated the art of filmmaking as a family for 85 years – and today, they’re facing seismic change. ONLY IN THEATERS chronicles this family-run business and their determination to survive in a swiftly changing world.
SYNOPSIS
In 1938, two European Jewish immigrant brothers (who happened to be the cousins of famed movie mogul Carl Laemmle, founder of Universal Pictures) escaped fascist Germany right before World War II. They came to America and opened a movie theater. By the 1960’s, the dynamic Laemmle family owned and operated 6 theaters in the Los Angeles developing an outsized influence on cinema. Over four generations, the Laemmles—a close-knit Jewish family—have dedicated themselves to supporting, innovating, and elevating the art of filmmaking. Responsible for bringing foreign film to Los Angeles, popularizing independent films, documentary films, and their makers, the Laemmle Theatres’ impact on Hollywood and world cinema cannot be overstated. Today, in a world of conglomeration and streaming, as well as a pandemic, the Laemmle circuit of beloved theaters has faced unprecedented challenges.
Filmed over two years, director Raphael Sbarge was given complete access, and editorial control, over this family’s most turbulent time in 85 years of doing business. With appearances from Cameron Crowe, Ava DuVernay, James Ivory, Nicole Holofcener, and Alison Anders, ONLY IN THEATERS is both a state-of-industry film for insiders, a love letter to cinema for a general audience, as well as an irresistible story of a multi-generational American family. The film is further enhanced with appearances from critics, writers, and filmmakers Edward Goldman, Kevin Thomas, Kenneth Turan, Bruce Joel Rubin plus Leonard Maltin, Ross Melnick, Michael Renov, and Mark Ulano. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain in Los Angeles, is facing seismic change and downward pressure. Yet the family behind this multigenerational business—whose sole mission has been to support the art of film—is determined to see it survive.
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HEARING AND VISUAL ASSISTANCE
Assisted Listening
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SUBTITLES
NOT RATED
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.
SHOWINGS
FEB 24 | FRI
5:00, 7:05, 9:10 p.m.
FEB 25 | SAT
12:40, 2:45, 5:00, 7:05, 9:10 p.m.
FEB 26 | SUN
12:40, 2:45, 5:00, 7:05, 9:10 p.m.
FEB 27 | MON
5:00, 7:05, 9:10 p.m.
FEB 28 | TUE
5:00, 7:05, 9:10 p.m.
MAR 1 | WED
5:00, 7:05, 9:10 p.m.
MAR 2 | THU
5:00 p.m.
MAR 3 | FRI
5:00, 7:05, 9:10 p.m.
MAR 4 | SAT
12:50, 2:55, 5:00, 7:05, 9:10 p.m.
MAR 5 | SUN
5:00, 7:05, 9:10 p.m.
MAR 6 | MON
5:00, 7:05, 9:10 p.m.
MAR 7 | TUE
7:05, 9:10 p.m.
MAR 8 | WED
5:00, 7:05, 9:10 p.m.
MAR 9 | THU