Date

Sep 06 - 19 2024
Ongoing...

SING SING

Divine G (Colman Domingo), imprisoned at Sing Sing for a crime he didn’t commit, finds purpose by acting in a theatre group alongside other incarcerated men in this stirring true story of resilience, humanity, and the transformative power of art.

SHOWTIMES

SEPT 6 | FRI

5:00, 7:15 p.m.

SEPT 7 | SAT

CLOSED DUE TO HOMEGAME
NO SCREENINGS

SEPT 8 | SUN

12:30, 2:45, 5:00, 7:15 p.m.

SEPT 9 | MON

5:00, 7:15 p.m.

SEPT 10 | TUE

7:15 p.m

SEPT 11 | WED

5:00, 7:15 p.m.

SEPT 12 | THU

5:00 p.m.

SEPT 13 | FRI

5:00, 7:15 p.m.

SEPT 14 | SAT

CLOSED DUE TO HOMEGAME
NO SCREENINGS

SEPT 15 | SUN

12:30, 2:45, 5:00, 7:15 p.m.

SEPT 16 | MON

5:00 p.m.

SEPT 17 | TUE

5:00, 7:15 p.m.

SEPT 18 | WED

5:00, 7:15 p.m.

SEPT 19 | THU

5:00, 7:15 p.m.
SYNOPSIS

Divine G (Colman Domingo), imprisoned at Sing Sing for a crime he didn’t commit, finds purpose by acting in a theatre group alongside other incarcerated men, including wary newcomer (Clarence Maclin), in this stirring true story of resilience, humanity, and the transformative power of art, starring an unforgettable ensemble cast of formerly incarcerated actors.

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Director

Greg Kwedar

WITH

Colman Domingo, Clarence Maclin, Paul Raci

Run Time

1 hour, 45 minutes

Released

August 2, 2024

Distributed by
A24
HEARING AND VISUAL ASSISTANCE

Assisted Listening
Closed Captioning
Descriptive Audio

Country
United States
SUBTITLES

None

RATED R

for Language

REVIEWS

“It doesn’t move or feel like any other prison movie, or movie about theater students, that I’ve seen, and its commitment to the truth of its characters — and of life itself — is rare and precious.”

Matt Zoller Seitz

RogerEbert.com

“To watch this movie’s actors, many of them playing versions of the men they used to be not so long ago […] is to witness a cautious but joyful reawakening. If a group of forgotten men can pull this sort of thing off, then what excuse do the rest of us have? Outside prison walls or within them, those who stop growing have only themselves to blame.”

Stephanie Zacharek

TIME

“[SING SING] uplifts and gently shatters. It makes a case for the deep respect and deeper amity forged in a theater program set up at the eponymous maximum-security facility.”

Lisa Kennedy

New York Times

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