Date

May 02 - 15 2025
Ongoing...

THE FRIEND

When a solitary writer (Naomi Watts) adopts and bonds with a Great Dane that belonged to a late friend (Bill Murray), she begins to come to terms with her past and her own creative inner life in this story of healing, love, and friendship.

SHOWTIMES

MAY 2 | FRI

4:50, 7:20 p.m.

MAY 3 | SAT

11:50 a.m., 2:20, 4:50, 7:20 p.m.

MAY 4 | SUN

11:50 a.m., 2:20, 4:50, 7:20 p.m.

MAY 5 | MON

4:50, 7:20 p.m.

MAY 6 | TUE

4:50 p.m.

MAY 7 | WED

4:50, 7:20 p.m.

MAY 8 | THU

4:50 p.m.

MAY 9 | FRI

4:50, 7:20 p.m. 

MAY 10 | SAT

11:50 a.m., 2:20, 4:50, 7:20 p.m. 

MAY 11 | SUN

11:50 a.m., 2:20, 4:50, 7:20 p.m. 

MAY 12 | MON

4:50 p.m. 

MAY 13 | TUE

4:50 p.m.

MAY 14 | WED

4:50, 7:20 p.m.

MAY 15 | THU

4:50, 7:20 p.m.
SYNOPSIS

Based on the bestselling novel, writer and teacher Iris (Naomi Watts) finds her comfortable, solitary New York life thrown into disarray after her closest friend and mentor (Bill Murray) bequeaths her his beloved 150 lb. Great Dane. The regal yet intractable beast, named Apollo, immediately creates practical problems for Iris, from furniture destruction to eviction notices, as well as more existential ones. Yet as Iris finds herself unexpectedly bonding with Apollo, she begins to come to terms with her past, and her own creative inner life in this story of healing, love, and friendship.

Official Website

Director
Scott McGehee and David Siegel
WITH
Naomi Watts, Bill Murray, Ann Dowd, Constance Wu, Carla Gugino, Sarah Pidgeon
Run Time

1 hour, 59 minutes

Released

March 28, 2025

Distributed by

Bleecker Street

HEARING AND VISUAL ASSISTANCE

Assisted Listening
Closed Captioning
Descriptive Audio

Country

United States

SUBTITLES

None

RATED R

for language including a sexual reference

REVIEWS

“A lovely drama with light comic touches and many more insights about life, grief, writerly ambition and friendship.”

Randy Myers

San Jose Mercury News

“There’s a sweetness to THE FRIEND that is rare in cinema today. There’s no cynicism in McGehee and Siegel’s version of the story, nor is there any malice.”

Emily Zemler

Observer

“[Directors] McGehee and Siegel juice this smart, affecting feature with sly nods to big-screen New York romances.”

Sheri Linden

New York Times

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