THE ZONE OF INTEREST
The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.
ACADEMY AWARD NOMINEE: Best Picture, Best Director (Jonathan Glazer), Best International Feature Film, Best Sound (Tarn Willers and Johnnie Burn), & Best Adapted Screenplay (Written by Jonathan Glazer).
SHOWTIMES
MAR 1 | FRI
5:00, 7:15 p.m.
MAR 2 | SAT
12:30, 2:45, 5:00, 7:15 p.m.
MAR 3 | SUN
2:45, 5:00, 7:15 p.m.
MAR 4 | MON
5:00, 7:15 p.m.
MAR 5 | TUE
5:00, 7:15 p.m.
MAR 6 | WED
5:00 p.m.
MAR 7 | THU
5:00, 7:15 p.m.
MAR 8 | FRI
5:00, 7:15 p.m.
MAR 9 | SAT
5:00, 7:15 p.m.
MAR 10 | SUN
1:00, 5:00, 7:15 p.m.
MAR 11 | MON
5:00 p.m.
MAR 12 | TUE
5:00, 7:15 p.m.
MAR 13 | WED
5:00, 7:15 p.m.
MAR 14 | THU
5:00, 7:15 p.m.
SYNOPSIS
NOMINATED FOR 5 ACADEMY AWARDS, including Best Picture, Best Director, and Best International Feature. The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp. Dispassionately examining the ordinary existence of people complicit in horrific crimes, THE ZONE OF INTEREST forces us to take a cold look at the mundanity behind an unforgivable brutality.
Director
WITH
Run Time
1 hour, 46 minutes
Released
Distributed by
HEARING AND VISUAL ASSISTANCE
Assisted Listening
Subtitled / Open Captions
Descriptive Audio
Country
United States, United Kingdom, Poland
SUBTITLES
German with English Subtitles
RATED PG-13
for thematic material, some suggestive material and smoking
REVIEWS
“It’s a work that forces you to reexamine how we’ve processed this chapter of history and restores a proper sense of ungraspable horror.”
“As a piece of observational cinema that borrows from the very visual grammar of nonfiction films, The Zone Of Interest is an instant classic, a masterpiece whose every gorgeously framed shot aims to stun you into silence.”
“It’s a remarkable film — chilling and profound, meditative and immersive, a movie that holds human darkness up to the light and examines it as if under a microscope.”