IF I HAD LEGS I’D KICK YOU
With her life crashing down around her, Linda (Rose Byrne) attempts to navigate her child’s mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.
SHOWTIMES
NOV 28 | FRI
CLOSED
NOV 29 | SAT
12:00, 2:25, 4:50, 7:15 p.m.Â
NOV 30 | SUN
12:00, 2:25, 4:50, 7:15 p.m.Â
DEC 1 | MON
4:50, 7:15 p.m.Â
DEC 2 | TUE
4:50 p.m.Â
DEC 3 | WED
4:50, 7:15 p.m.Â
DEC 4 | THU
4:50 p.m.Â
DEC 5 | FRI
4:50 p.m.Â
DEC 6 | SAT
12:00, 2:25 p.m.Â
DEC 7 | SUN
7:15 p.m.Â
DEC 8 | MON
4:50 p.m.Â
DEC 9 | TUE
4:50, 7:15 p.m.Â
DEC 10 | WED
4:50, 7:15 p.m.Â
DEC 11 | THU
4:50, 7:15 p.m.Â
SYNOPSIS
With the whiplash pace of a thriller, writer/director Mary Bronstein takes audiences into a breathtakingly inventive, unexpectedly funny, yet startlingly relatable fever-dream of parental anxiety. Rose Byrne gives a one-of-a-kind cinematic portrait of ultra-pressurized motherhood as Linda, an overwhelmed therapist who finds herself in a state of frenzy and obsessive dread as she grapples with a mounting series of head-spinning crises.
The result is a gripping tale of personal horror and a moving illumination of that moment in life when it all becomes too much.
Official WebsiteDirector
WITH
Run Time
1 hour, 53 minutes
Released
October 10, 2025
Distributed by
A24
HEARING AND VISUAL ASSISTANCE
Assisted Listening
Country
United States
LANGUAGE
English
RATED R
for language, some drug use and bloody images.
REVIEWS
“A tour de force of matriarchal fury from Byrne, who fuels Linda with both a groaning air of despair and the rising hackles of a woman who will not be ridden roughshod over.”
“It’s a towering performance, a feat of intelligence and energy that tightly binds to all of Bronstein’s heady, propulsive style. Let’s hope Byrne gets recognized for all of that hard work in some fashion, even if Linda never gets credit for hers.”
“Delivering a feverish, raw-nerve performance sure to go down as one of the year’s greats, Byrne has never had a role even remotely this intense to prepare us for the kind of emotional acrobatics her writer-director has in store.”